I’ve had this particular book of Jo Walton’s (along with several others) on my to-read shelf for a long time, and I mean a loooooooong time. I grew interested in Walton’s books after following along with her obsessively detailed rereading of Pat Rothfuss’s Kingkiller Chronicles (the first book of which, The Name of the Wind, is perhaps my favorite book of all time, though I don’t know if it can really unseat The Lord of the Rings from that position). It was brilliant. I found her writing to be insightful, thought-provoking, humorous, and thoroughly enjoyable. I figured that anyone who loved Rothfuss’s books as much—or more—than I did was well worth reading in her own right, and yet I still didn’t make it a priority to start reading any of her books. But after finding a used copy of Among Others at Barter Books a couple months ago it finally moved up my list, and boy am I happy it did.
This book is a joy. As Pat Rothfuss said of it, “This book is gently magical.” I like that. Gently magical. It really is a perfect description. The magic doesn’t overwhelm the narrative and it is something that always remains just beyond the understanding of those humans who attempt it. It works, but its repercussions and real-life effects are not always fully understood.
It is saturated with books, most of them SFF from the late 1970s and earlier, and the most influential book within the text is . . . you guessed it, The Lord of the Rings. And considering the role LotR plays within the text it should come as no surprise that the book itself manages to accomplish all the primary aims Tolkien elucidated for the genre of Fairy Story, in which this delightful book squarely resides. You see, while it’s a story of a girl in her early teens living in late 1970s Wales and England and the SFF books she loves and wrestles with, it’s also about a girl who sees and speaks with fairies and is willing to sacrifice everything to perform the magic they ask her to do—and through this magic to save the world. And yet, the whole story is told through journal entries. So the tragic event that shapes the whole narrative, and precedes the first journal entry by several months, isn’t actually explained until very near the end. While this format might turn some off, I found it captivating. Experiencing the wonder of books and the slow unfolding of magic in this girl’s life (in conjunction with all the other things you would expect in the journal of a 15 year-old girl) was like a stroll through unfamiliar country that bears striking similarities to familiar paths and places. It was a joy, which is as it should be. For the genre of Fairy Story should contain within it hints of joy that break in from beyond the walls of the world. It should bring about recovery, escape, and consolation. And it does! It most certainly does!
So, do yourself a favor and go read this one. It won both the Hugo and Nebula awards for good reason.